About Rekonfigurasi
Rekonfigurasi is an ethics, a willingness to always learn to understand what has happened in the past as a reflective consideration of the study on this which is the foundation for future travel. Rekonfigurasi not a naive nature that were trapped in the past Romance, also not a passive attitude with the spirit of a plagiarist.
Rekonfigurasi depart from the awareness that art is not complete, but not with the spirit of Utopian expectations that new art will be found. Rekonfigurasi revitalization is a form of art, a pemaknaan values that need to be artistic power of his life.
As an example application Rekonfigurasi I am looking for a basic idea about Malevich's Suprematisme. Asketisme Malevich, according to some observers have brought paintings-paintings on the verge of nothingness. Simplification of the more open the possib
ility of errors in reading the ideas of Malevich on Suprematisme that my personal affairs are not just creating art that is bound by the taste-formal aesthetic taste.
Malevich, if I do not understand any, attempt to dig up the basic purity of art creation. Not a chance, if only the paintings of the order lines and geometric forms. Simplicity in the works of Malevich strongly bound as a form of awareness-muasal akan original creation (art) that can not be casually menafikan things spiritual. Asketisme primordial Malevich can not should not be read in terms of works of Malevich. In his comments on the Square (Black Square in the White Ground), explicitly states that the square Malevich not born from a natural unconscious, that he attended a reason. Square further commentary is the first step in the creation of artistic purity. In white on white painting (White Square in the White Ground), Malevich created a big leap on the idea suprematismenya, which according to my view is influenced by the understanding of the universe. Malevich square that is alive, it is tragic that he was on this day, (especially on the square and suprematisme in general) is understood only as a simplification to the extreme stand on the verge of nothingness or emptiness.
Art can only be understood with the art itself, this is not based on the premise that art for art, but rather based on the fact that the methods of science have failed to approach art. Suprematisme a great idea in my interpretation of the world is the pure, about a reality that is superior inderawi, experience the extraordinary sofistikasi extreme approach when faced with the intellectual (knowledge). Errors in the reading Malevich, possibly caused by not only how to approach a blunder, but also because, if I'm not one of tafsir-kekurang lugasan Malevich in providing comments on his work. If I hit the allegations suprematisme idea is correct, then will look into the chasm between constraint reasoning dengankarya-Malevich works.
Limiting the scope of discussion about Malevich second only to his work (in the Black Square White Square White Ground and in the White Ground), certainly not for the reason that her works menafikan the other, except that the two paintings can be said to be the basic idea suprematisme birth, that both on the wide-open door in the understanding of ideas and thoughts through mind-Malevich.
Asketisme Malevich, again become a key factor in the opening scene that he created on the two paintings are square. Malevich's vision of the purity of art, far kedasar bring about the fundamental understanding of art in which are the spiritual values transendental. In the context of the spiritual vision of Malevich aesthetic upgrade to the much higher, but at the same time, in the point of view of formal aesthetic material, Malevich terlempar from the mainstream path at the time. Even at the time of this understanding of the world malevich to be unduly shallow topography dipertanggung jawabkan.Kekaburan history are very spiritual Malevich prevent track impressions in the minds and his works. But we can use common terminology as a comparison and then mengkomparasikan with what happens to the paintings-paintings.
Asketisme literally understood as the familiar and the mempraktikan simplicity, so the logical if Malevich paintings understood as a form of simplification of the basic geometric language as visual. In fact not enough asketisme only be understood as activities that are artificial. Asketisme is an encouragement of conscience on the chastity of longing, a world of the original and superior inderawi. A spirit of simplicity use the behavior to achieve the highest reality in which everything will be believed again. Both Malevich painting (in the Black Square White Square White Ground and in the White Ground / white on white painting), shows the spirit of aesthetic refinement ideosinkretik. Exit from the values of aesthetics and the general estetikanya itself toward ketempat higher.
Approach paintings Malevich's topofagrafi spiritualnya is not feasible with documented not cause problems. For example, if Suprematisme inspiration is the idea of purification to achieve the original shape of the world's highest, in the Black Square, White Ground reveal ambiguous spiritual Malevich understood as if a painting is finished. In other words ideals Malevich on Suprematisme not stand in line with the ideals spiritualnya about the world of the original, or even worse Malevich has failed to dig up the basic ideas of the world, a world in which (automatically) there is no element kebersyaratan, is this the case painting, square, and ground-in my personal interpretation is a form-kebersyaratan the representation of space and time.
Reading Suprematisme Malevich's paintings and in a spirit of puris akan estrange us from the ideas of Malevichtentang world Suprematisme. However we consider important to the painting is not finished so it opens the possibility for us to understand the idea Suprematisme more. In other words, to be able to dig up the basic idea suprematisme Malevich, painting in the White Sqare Ground White (White on white painting) as a consideration for denies that contention menyudutkan that suprematisme no more than just art not able to trace the natural and stressed that the suprematisme art is a far puncture through the core. In Malevich spiritual perspective to make a big leap in this paper that in general would make the seal vacuum or the absence of strong tersemat on painting-paintings. Malevich that I think continue to strive to realize increased upwards in line with the development of spiritualnya, the awareness of the work of purification in lukisnya. In terms of variety, asketisme Malevich close to the traditions of eastern philosophy, vision estetiknya unusual in the context of the other may be disebandingkan with the vision teofanik Ibn Arabi, a philosopher of Andalusia to the road to stabilizing the Middle East in spiritualnya foundation.
In this white paintings as if Malevich want to edit some of the errors or lack of it made on the painting Black Square it. Ambiguous that it would have diredusir with bright paintings on the second. Although in the end science can prove that the universe all white, did not have a previous assessment that at least approach Suprematisme Malevich as the inspiration of discovery. However Malevich is an ideal representative of artists such as Kandinsky ideally, an art that not only children but also on zamannya art that can become the mother of the future.
For all this I make a tribute to Kasimir Malevich, on the white.
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